The Writer’s Lair

Jane Austen wrote at a pedestal table not much larger than a pizza pan.

Charles Dickens and Victor Hugo–both hugely prolific–wrote at standing desks.

Rudyard Kipling wrote in a sunlit room, surrounded by floor-to-ceiling bookshelves. Roald Dahl, in an overstuffed armchair with a lapdesk. George Bernard Shaw, in a whitewashed outdoor shack.

Virginia Woolf (she of the “room of one’s own”) wrote at a simple wooden desk in a simple wooden chair, looking out upon a field of green. (For images of these and more, check out Mary’s Writers’ Rooms Pinterest page.)

We at the BookYArd may not be Dickens or Woolf, but we have our own spaces for our own words.

Christina Farley, author of Gilded
The desk of Christina Farley, author of Gilded.
Sarah Bromley, author of A Murder of Magpies
The writing nook of Sarah Bromley. Note the little dog (Bella) in the chair. Sarah rescued Bella from Animal Control and on the way home found that her agent had sold A Murder of Magpies.
Lindsay Currie, coauthor of Creed
The desk of Lindsay Currie, coauthor of Creed.
Mary Crockett, coauthor of Dream Boy, is a migratory writer. Any available space is fair game. When her husband set up a tent in her family room for the amusement of the kids, Mary moved in. (Note the laptop behind the two-year-old.)
Mary Crockett, coauthor of Dream Boy, is a migratory writer. Any available space is fair game. When her husband set up a tent in her family room for the amusement of the kids, Mary moved in. (Note the laptop behind the two-year-old.)
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Office space of Monica Ropal, author of The Body of Cooper McCay, surrounded by inspiration of the Harry Potter kind. Also note the tiny Lego creations, evidence of the pleasant and creative interruptions by the children kind.
bed
The Girl from the Well author Rin Chupeco’s writing station varies from season to season (read: unspeakably rainy to unbearably hot days), but beds always figure in somehow. A decided bonus: sheep.
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